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Best Art Ever (This Week) - 08.17.12

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome.
WANT TO CONTRIBUTE?

We're very much interested to see what you've dug up and think should be featured here in Best Art Ever (This Week). Please submit any great art links to andykhouri-at-comicsalliance.com. Artists, feel free to send in your own work or to request that your work be removed.

Please visit these artist's websites to see more of their work, buy their products or commission an original piece.

Joe Kubert, Sgt. Rock and company by Joe Kubert

Superman by James Lien


Shredder vs. Michelangelo by Henry Bonsu


Belit and Conan by Joe Jusko


Scott Pilgrim by Glen Brogan


"The Abandoned Valley" by Vicente Rico


Marvel guys by Rafael Grampa


Batman and Robin by Neal Adams and Dick Giordano


Loki and Thor by iammovan


"Banjo" by Jason Kushel


Static Shock by Ron Wimberly for Project: Rooftop


Batwoman by Yasmin Liang


Kurse by Florey for The Official Handbook of the Marvel Universe Redux Edition


Hellboy vs Red Skull by Khoi Pham


Fantastic Four by Geof Darrow


The Question by Steve Ditko


Kamandi by Tom Fowler and Kyle Latino for Comic Twart


Commissioner Gordon and Harvey Bullock by Alex Ross


X-Women Oya, Storm, Frenzy, and M by Kevin Wada


Adventure Time by Jemuel Bernaldez, inspired by Adele vs. Daft Punk


Batman by Brian Stelfreeze


Captain Marvel by Travel Foreman


Supergirl by Joel Carroll


Bucky Barnes by Evan "Doc" Shaner


Flash Gordon by Des Taylor


Hawkman and Hawkgirl by Joe Kubert


Art by Francois Schuiten
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Abe Sapien by Joshua Covey


Tor by Joe Kubert


Art by Milo Manara


Silverhawks by Jeffrey 'Chamba' Cruz


Spider-Man by Mike Wieringo


Futurama's Kif by Jared Krichevsky


Spider-Boy by Dean Trippe


Raiders of the Lost Ark by Howard Chaykin


Emma Frost by Lynne Yoshii


Robotman by Richard Case


Batgirl by Mike Wieringo and Joel Carroll


Batman by Ardian Syaf


Superman by Mike Wieringo and Evan "Doc" Shaner


Hellboy vs. Anung Un Rama by Andrew R. MacLean


Sgt. Rock by Joe Kubert

 

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Best Art Ever (This Week) - 08.31.12

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome.WANT TO CONTRIBUTE?

We're very much interested to see what you've dug up and think should be featured here in Best Art Ever (This Week). Please submit any great art links to andykhouri-at-comicsalliance.com. Artists, feel free to send in your own work or to request that your work be removed.

Please visit these artist's websites to see more of their work, buy their products, or commission an original piece.
Darkseid by Jack Kirby


John Legend by Paul Limgenco


Art by Darwyn Cooke


The Dark Knight Returns by Jim Cheung and Mark Morales


Art by Jack Kirby


Emma Frost by Colin Alexander


FLASHBACCA, The Fastest Wookiee Alive! by Ming Doyle


Leon, the Professional by Matteo Scalera


Elektra by Sean Anderson


Metron by Jack Kirby


Hipster Superheroes by Shehzil Malik


Betty and Veronica cosplaying as Black Canary and Zatanna by Dan Parent


Marvel heroes by Dustin Nguyen


Art by Moebius


Jack Kirby chalk art tribute by Jay Morton


Death by Brian Hurtt


Marvel heroes by Bruce Timm


Fantastic Four by Arthur Adams


Batman by JM Ringuet


Captain Marvel/Shazam by Steve Rude


Judge Dredd by Chuck BB


Fandral the Swordsman by Jack Kirby


Suicide Squad by Neil Vokes


Batwoman and Spider-Woman by Chris Samnee


Wolverine by Michael Delmundo


Fem Ryu by Adam Warren


Darkseid Jack Kirby


Supergirl by Jim Mooney and Jim Tournas


Spider-Man vs. Venom by Brian Valeza


Elvis Presley by Steve Rude


Megaman by Sam Rennocks


Wolverine vs Deadpool by Reynan Sanchez


Stephanie Brown Batgirl/Robin by Lynne Yoshii


Orion by Jack Kirby


Black Canary by Amy Reeder


WALL-E by Bill Sienkiewicz


Huntress and Batman by Eduardo Risso


Déjà vu/Tony Scott tribute by Massimo Carnevale


Batman by Walt Simonson



Kamandi by Jack Kirby


The Batcave by JC Richard for Mondo


Transformers' Kup by Declan Shalvey


Galactus by Jack Kirby

 

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Parting Shot: Inspirational Invisible Obama Poster By Francesco Francavilla [Art]

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By now you're certainly aware of the incredibly unexpected and indescribably bizarre performance by Clint Eastwood at the Republican National Convention in Tampa, Florida on Thursday night, where the American film icon delivered an unscripted and punishing admonishment to an empty chair he jokingly identified as President Obama. Whatever legitimate criticisms Eastwood was trying to make with respect to international policy and other subjects were completely eclipsed by what MSNBC host Rachel Maddow described as "the weirdest thing I'll ever see at a political convention even if I live to be 100."

Naturally, the Internet has had its way with Eastwood's material, and our pick for winner is comic book artist Francesco Francavilla (Batman: The Black Mirror, Archie Meets KISS), who appropriated Shepard Fairey's iconic "Hope" poster to marvelous ends. Full-size version and Eastwood video are below.



 

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Simon Bisley Returns To '2000 AD' After 22 Years [Exclusive Art]

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Most American comics readers know the work of artist Simon Bisley because of his long association with Lobo, the hilariously ultra-violent alien bounty hunter who appeared in several unforgettably gruesome and wildly popular parodical 1990s titles written by Keith Giffen and Alan Grant. Among them, of course, Lobo: The Paramilitary Christmas Special. But before Biz (as he's known) was depicting the Naughtiest One's brutal decapitation of Santa Claus, he made a name for himself in his native United Kingdom in 2000 AD, the seminal British sci-fi anthology, creating definitive work with the apocalyptic robot adventure series ABC Warriors and fantasy epic Sláine: The Horned God.

Although he'd contribute to 2000 AD spinoff Judge Dredd: The Megazine and of course Batman/Judge Dredd: Judgement on Gotham, it's been 22 years since Bisley's last work in the publication with which fans still associate him to this day. That changes next week, when 2000 AD Prog 1800 goes on sale internationally with a brand new Bisley cover featuring the title's signature character, Judge Dredd. Check out the full-size image below.
Click to mega-size

Beneath Bisley's cover is a Judge Dredd story written and drawn by Chris Weston, an ABC Warriors piece by Pat Mills and Clint Langley, Grey Area: This Island Earth by Dan Abnett and Lee Carter, and the first installment of a brand new feature called Brass Sun: The Wheel of Worlds by Ian Edginton and I.N.J. Culbard. Here's the blurb on that last one:
The Orrery is a fully functional, life-size clockwork solar system. A clutch of planets, moons and asteroids orbit a vast, life-giving BRASS SUN via immense metal spars, its origin and purpose long since forgotten. The once unified collection of worlds have regressed into eccentric fiefdoms and petty baronies. One such planet, Hind Leg, is ruled by religious dogma - its leaders believe the Cog is Creation, and any suggestion that the sun is slowing is treated as heresy. But for many, there's no escaping the truth that worlds are dying and something needs to be done...
Publisher Rebellion describes Prog 1800 as a "massive" jumping on point for new 2000 AD readers, and is timed to release around the new Dredd live-action film starring Karl Urban. American readers can pick up the issue via 2000 AD's extremely useful app in the Apple Newsstand at the same time it goes on sale in the UK.

There have been a number of great collected editions from 2000 AD released in the last year, causing a couple of us at ComicsAlliance to become quite enamored with this most influential of sci-fi anthologies. You can expect to hear more about 2000 AD comics from us in the near future.

 

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'Batman: The Animated Series' Premiered 20 Years Ago This Week, Watch The Pilot Episode [Video]

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It was yesterday 20 years ago that Batman: The Animated Series debuted on the Fox television network, setting off a chain reaction that would change the face of American TV animation and inspire a generation of viewers' love for not just the great characters of DC Comics, but also art, design, film noir, comic books and everything else that the now classic series synthesized into a weekly instructional on great storytelling and exquisite taste.

The pilot episode, "On Leather Wings," embodies nearly everything that would make Batman and its spinoffs so beloved by children as well as adults, and you can watch the entire thing commercial-free below.


Directed by Kevin Altieri from a script by Mitch Brian, "On Leather Wings" introduces elegantly everything that viewers needed to know about this new vision of Batman as devised by producers Alan Burnett, Eric Radomski and Bruce Timm. The first thing we see is a Gotham City skyline and police airship right out of Dean Motter and Paul Rivoche's 1980s retro-future masterpiece Mister X, amplified with intensely stylized music by Shirley Walker that invokes film noir and the unforgettable Batman film score by Danny Elfman. Similarly, computer and television screens are in black and white, vehicles (designed by Shayne Poindexter) are sleek and rounded, rather than angular or box-like; every piece of decor from the windows to the carpets features a lovely Art Deco design; gentlemen wear ties and blazers, ladies wear pencil skirts and their hair in bouffants; police are kitted out in old timey riot gear. Everything we see and hear establishes the nature of Batman as a timeless and sophisticated adventure serial beyond anything we've seen on television in years; maybe ever.


(The shots of the Man-Bat creature -- designed by Kevin Nowlan -- flying past the police officer's window and casting its mysterious shadow are so cool and memorable that they were replicated very meaningfully years hence, using Batman Beyond's Terry McGinnis in the "Epilogue" episode of Justice League Unlimited, which was written by Timm and Dwayne McDuffie and directed by Batman: The Animated Series' Dan Riba.)

Crucially, "On Leather Wings" straight away establishes the major players and conflicts in Gotham's legitimate infrastructure. Detective Harvey Bullock hates the Batman; Commissioner James Gordon likes the Batman and hates Harvey Bullock; Mayor Hamilton Hill will authorize any action whose results might play well in the press; and District Attorney Harvey Dent wants to see justice done. The tensions between these men are perfectly expressed in just one scene, and it will inform the series for years to come. That this dimension of the series was first out the door, as opposed to a supervillain, was certainly a risk, but a correct one.

As the episode progresses it reveals more and more about what viewers need to know about this ambitious new cartoon. It's sexy, scary, funny and smart. People in Gotham like to sneak off to make out. Bad things can happen to people, like getting thrown out of windows by monsters. Alfred and Batman aren't above sarcasm and wordplay, and the show isn't afraid of abusing the gluttonous Bullock and depicting some of Gotham's finest as just as terrified of Batman as its criminals. Batman spends just as much time gathering evidence and investigating leads as he does breaking people's arms. The show is also different; this is not the ceaselessly tortured Dark Knight of Tim Burton's films nor the goofy but righteous lecturer of Adam West's '60s television series. Other first appearances in this episode include the Batmobile and its grand exit from the Batcave, the distinctions between all but ditzy Bruce Wayne and the mega-competent Batman, and the grappling gun with its infinite uses.


With the character of Batman and the nature of the series firmly established, Altieri and his collaborators conclude "On Leather Wings" with a brilliantly animated chase that includes a beautiful tracking shot of Man-Bat and Batman flying around the very police blimp that opened the show, and later a second one through a grid of steel girders in an unfinished building. It couldn't have been cheap, and they were right to show off. The results are manifest.

We love Batman: The Animated Series, and most of us wouldn't be working on this site had it never existed. It's a trip to think that it's 20 years old, but we think you'll agree that "On Leather Wings" has barely aged a day. For more on Batman, check out these features:

- The 10 Best Episodes of 'Batman: The Animated Series'
- ComicsAlliance Reviews 'Batman: the Animated Series: Tyger Tyger'
- The Batman: The Animated Series Writer's Guide is Totally Awesome
- Ask Chris #78: Why The 'Batman: The Animated Series' Opening Is The Best Thing Ever
- The 14 Best Title Cards From 'Batman: The Animated Series'

 

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Parting Shot: Cosplayers Get Married In 'Astonishing X-Men' Cover Recreation [Video]

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Awww. A couple of comic fans took advantage of the Marvel Universe cosplayer gathering at last weekend's Dragon*Con in Atlanta to recreate the famous Dustin Weaver cover for Astonishing X-Men #51, depicting the marriage between Northstar and his boyfriend Kyle Jindau. The couple, whose names we can't quite make out in the video, have been together for 20 years. Check it out below.


Cover by Dustin Weaver


Live-action recreation photographed by Pat Loika

 

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Best Art Ever (This Week) - 09.07.12

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome.WANT TO CONTRIBUTE?

We're very much interested to see what you've dug up and think should be featured here in Best Art Ever (This Week). Please submit any great art links to andykhouri-at-comicsalliance.com. Artists, feel free to send in your own work or to request that your work be removed.

Please visit these artist's websites to see more of their work, buy their products, or commission an original piece.

Special acknowledgement this week to the new Tumblr blog of Powers writer Brian Michael Bendis, who's been kicking out some jams that have found their way to many of the art blogs we follow.

Game of Thrones' Jaqen H'ghar by Romik Safarian


Art by Killian Eng


Donna Troy and Wonder Girl by Aaron Lopresti


The Joker by Alex Ross


Adventure Time/Dragon Ball mashup by Eddie Herbert


Hellboy by Jeff Lemire


Wolverine vs. everyone by Jae Lee


Art by Holly Howes


The Ultimates by Bruce Timm


Art by Guillaume Ospital


Avengers by Andy Helms


Princess Leia by Scottie Young


Death by Julio Cesar


Catwoman, Poison Ivy and Harley Quinn by Lilithim


Wonder Woman by Joel Carroll


Iron Fist by Matteo Scalera


Vintage advertising illustration by unknown via X-Ray Delta One


Breaking Bad by Brian DeYoung


The Rocketeer by Eric Canete


Hot Rod by Corey Lewis


Sgt. Rock by Brian Bolland


The Sandman by Jon J. Muth


The Phantom by Chris Samnee


The New Gods by Dan McDaid and Kyle Latino


Power Girl and Supergirl by Bengal


Conan by Alex Nino


Elektra by Moebius


The Shadow by Francesco Francavilla


What's Opera, Doc? by Tom Whalen


Batgirl and Batman vs. Lord Death Man by Michael Allred from the collection of Lambert Sheng


Delirium of the Endless by Marc Hempel


Godzilla G.I. Joe Rocketeer Ultraman whaaaaaat by Ulises Farinas


"Wookie the Chew" by James Hance


Art by Milo Manara


Akira by Dave Johnson for Comic Twart


Wolverine by Junyi Wu

 

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'Cerebus' Creator Dave Sim Contemplates 'Career End Point' And Economic 'Doomsday Scenario'

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In an editorial published in the latest and final issue of glamourpuss, cartoonist Dave Sim identifies low sales of the self-published series -- just about 2,400 copies in the direct market (comic book stores) -- as the "end point" in his decades-long comics career. The politically controversial but eminently talented creator and self-publisher of Cerebus, Sim described what he called a "doomsday scenario" by which he would begin selling off original artwork and otherwise liquidating his archives, "up to and including just sending all of it to a landfill site or paying 1-800-GOT-JUNK to haul it all away, selling the house, liquidating the last of my [Canadian retirement savings plan] and my life insurance policy and just... disappearing."

A self-described "pop culture parody and comic art scholarship," glamourpuss was Sim's creative exploration of the photorealism art style in comic books. The series, which appropriated the presentation of women's fashion magazines, debuted with only 16,000 copies sold and, in keeping with direct market tradition, would only drop from then on. glamourpuss eventually became a narrative called "The Strange Death of Alex Raymond," based on the life (and obviously death) of the Flash Gordon creator. It's a work that Sim would prefer to see through to its envisioned end, but the cartoonist wrote that his current economic realities are such that he may only be able to complete 15 to 30 pages if his "career lasts until March of next year," but that the story requires "considerably more" than that.


The moment of truth arrived for Sim after a variant cover scheme failed to generate significant interest in glamourpuss. For this, Sim redesigned glamourpuss' covers to become zootanapuss, a parody of the DC Comics magician Zatanna created by Gardner Fox and Murphy Anderson. One copy of the rare edition was shipped to retailers who ordered four copies of glamourpuss. Additionally, Sim double-shipped those issues so that stores would have free copies of glamourpuss to sell to new readers. The initiative resulted in just 34 additional copies sold.



The once dependable Cerebus paperback collections -- 16 phonebook-sized volumes compiling one of the most ambitious and frequently brilliant (and frequently not so brilliant) comics series of all time -- have not been performing as well as they once did, partly thanks to the grim economy of the last few years. Additionally, Cerebus is self-published, making it all that much harder to earn a profit.

Sim explained his new status quo in depressing terms:

I've been dividing my twelve-hour working day into two segments: things I do to make money and glamourpuss. Now, I'll be dividing my working day into things I do to make money and attempting to finish The Strange Death Of Alex Raymond. Then come November or March, I'll be dividing my time between Doomsday Scenarios and attempting to finish The Strange Death Of Alex Raymond. Even if I get rid of everything and quit, I'm hoping the last thing I'll be working on that last day as 1-800-GOT-JUNK hauls everything away, will be a page of The Strange Death Of Alex Raymond which will then be sent to... someone, I don't know who... as the last page of Dave Sim's last uncompleted work.

It has been exceedingly difficult for original comics of all kinds to make berth in comic stores given just how much product is shipped each and every week, and it has to be said that glamourpuss is a particularly esoteric work. That readers, even fans of Cerebus, would not connect with glamourpuss simply as a matter of personal taste is not too surprising, and not a phenomenon that hasn't been experienced by even the most popular creators. It is also true, or at least very arguable, that Sim is more well known now for his divisive opinions about feminism and religion than he is for his exceptional cartooning, and that may have played a part in the audience's reaction to glamourpuss.


Nevertheless, glamourpuss is a unique work of value, generating not just some very pretty pictures but also some thoughtful discussion, like this ComicsAlliance piece by John Parker and a recent episode of the always fascinating Comic Books Are Burning In Hell podcast by critics and occasional CA and Comics Journal contributors Matt Seneca, Tucker Stone, Joe McCulloch and Chris Mautner. It's a terrible shame that there seems to be no avenue in this industry for glamourpuss to be even modestly successful in the financial terms Sim requires to continue it, especially given the fact that the comic is itself a commentary on the artform.

That the failure of glamourpuss leaves only one pathway to Sim, oblivion, is something that many would take issue with. As I said, glamourpuss was a deeply idiosyncratic work, even by Sim's standards, but just because longtime Sim readers didn't support it as they had Cerebus does not mean they wouldn't support something else. But Sim has evidence to suspect that they wouldn't, citing the low 10,000 number as sales for his 2008 holocaust graphic novella Judenhass and the lack of interest in Cerebus Archive and Cerebus TV, both of which have been shuttered.


However, some financial hope remains in the very successful Kickstarter campaign for the digital edition of Cerebus: High Society, which raised over $60,000 for the multimedia reissuing of Sim's classic graphic novel. The project has been seriously setback by a fire which destroyed many of the production materials, but is still in the works. There's every reason to believe future campaigns will be successful.

Referencing recent steps taken by comic artist Steve Rude, whose economic and legal troubles necessitated a return to comics as part of the Eisner-winning Dark Horse Presents, Sim readers at A Moment Of Cerebus have wondered whether the cartoonist should abandon the self-publishing model and license his magnum opus to Dark Horse or another company who can shoulder some of the financial risk, freeing Sim up to create more comics. That Dave Sim would become an Internet crowd-funding success story would have once seemed like one of the least likely things that would ever happen, so it's hard to say that a licensing agreement with a mainstream publisher is out of the question. Certainly, Cerebus deserves to remain in print.

But for his part, Sim seems calmly resigned to whatever the future may bring, writing:

So, now I walk away from my almost totally silent audience of 2,400 and prepare to stave off complete oblivion with the 1,140 Kickstarter pledge partners. Wish me luck.

Thanks for buying this, and thanks for buying however many other issues you bought, whoever you are.

...

It was very weird and doomed to failure from Day One...

...but it was a lot of fun while it lasted.

glamourpuss can be purchased online at ComiXpress, and the Cerebus collections can be found or ordered in finer comics shops and Amazon.

[Via A Moment of Cerebus]

 

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Remembering 'All Star Superman' On World Suicide Prevention Day

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The World Health Organization reports that suicide is one of the three leading causes of death for people aged 15-44, and estimates that each year approximately one million people die from suicide. Statistics show a 60% increase in suicides over the last 45 years, with 90% of suicides associated with mental health disorders including depression. To combat the growing problem of suicide and attempted suicide, the WHO collaborates with World Federation for Mental Health and the International Association for Suicide Prevention on World Suicide Prevention Day. Observed in the United States as part of National Suicide Prevention Week, today is meant to raise awareness and transmit educational materials to persons or the loved ones of those affected by depression, addiction, self-injury and other topics concerning suicide.

It's on this day that many comics readers remember what is arguably the most affecting moment of Grant Morrison and Frank Quitely's graphic novel All Star Superman, where the Man of Steel interrupts a young girl's suicide attempt and reassures her that although things may seem painful and hopeless, she has the power to endure and that things will get better.
Click to enlarge

Originally published by DC Comics in 2006's All Star Superman #10 (and available now in the collected All Star Superman graphic novel), the one-page scene became one of the most heavily proliferated Superman images on the Web and passed into Internet legend last year when a Reddit user credited it with dissuading them from committing suicide. In a post called "You Don't Really Need To Exist To Inspire People. This Is Why Superman Is My Hero," the Redditor called iamjackslackofhope wrote:

I have struggled with depression ever since I was ten years old. It had crippled me emotionally. I was 27 years old, no college degree, no job, and no will to live. I decided to kill myself after Christmas.

And then my sister's boyfriend loaned me these comics. Superman is dying of radiation poisoning and is trying to complete all of his tasks before he dies, but he still takes the time to save a young girl who is about to jump off a building.

I cried for hours after reading this. I identified with that girl so much, ans I could almost hear Superman telling me that I'm stronger than I think.

Now, every time my depression starts to rear its ugly head, I just repeat his words and imagine him hugging me when I'm standing on the edge. It works better than any medication or therapy I've ever had.

Now I'm in college and at the top of my class. I have friends. I have a life. And I don't care that he's a fictional comic book character. He still saved me.


Depression and trauma can be overcome, but not without help. If you or someone you love is contemplating suicide, please contact the National Suicide Prevention Lifeline. You can find many more recovery resources, personal stories and community at To Write Love On Her Arms.

 

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Parting Shot: Michelle Obama As The New Wonder Woman By J. Bone

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I first became enamored with the fantastic work of Canadian cartoonist J. Bone with the 2006 relaunch of Will Eisner's The Spirit, in which Bone worked with Darwyn Cooke. The series remains a personal favorite for the stellar artwork alone, and I've since tracked down Bone's stuff on such titles as Wolverine/Doop, DC Retroactive: Wonder Woman, and the Justice League: The New Frontier one-shot comic released to coincide with Warner Bros. Animation's animated version of the Darwyn Cooke graphic novel. Naturally, Bone is also a frequent guest star in ComicsAlliance's Best Art Ever (This Week). In other words, he's awesome, and he's about to get a lot of well deserved attention thanks to this lovely and highly bloggable illustration of the First Lady of the United States, Michelle Obama, reimagined as Wonder Woman.J. Bone explained the piece on his blog:

I'm not a very political person. Really. Unless I hear speeches that are incredibly ignorant (the current Mayor of Toronto is not exactly my favorite person) or especially rousing! Michelle Obama's recent opening speech at the Democratic Convention was one of those exciting moments to which I actually paid attention. Politics aside I like the Obamas. Watching her speech I imagined Michelle as the NEW Wonder Woman!


You can see loads more J. Bone art on his Gobukan site as well as on Man's Adventure, the artist's excellent beefcake blog.

 

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'It Has To Feel Right': Jason Pearson Draws Mental Health, Quantum Physics And T&A [Art]

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Best known to comics readers for his many covers for Marvel's Deadpool and for his creator-owned series Body Bags (first published by Dark Horse and reissued by 12-Gauge), Jason Pearson has long been a favorite of artwork aficionados. Once a part of Atlanta's storied Gajin Studios along with other practitioners of the gorgeous high-contrast black-and-white style like Brian Stelfreeze, Tony Harris, Karl Story and Cully Hamner, Pearson has always created exceptional work on the comics page, but scheduling necessities have kept his work most visible on covers. Sadly, Pearson came to a crossroads last year that saw him doubt his place in the industry. With the help of colleagues and fans, Pearson is back at the drafting table and has returned to drawing commissions. Very interestingly, Pearson has infused the uncommonly beautiful new work -- which is largely titillating in nature, as is often the case with private commissions -- with layers of personal meaning and themes that make each piece, in Pearson's words, feel right.In a long posting to Facebook, Pearson framed his life and career as a conflict between two opposing philosophies, "Just do it" and "It has to feel right." In light of a personal crisis last year, the artist concluded that the latter is the best path for him -- despite the financial consequences of no longer working with Marvel and DC. Pearson's been accepting cheesecake commissions from art collectors and preparing new installments of his relatively underground creator-owned work, but while the economic rewards are and will be few, for Pearson it's more about getting by on another level.

Why resort to efforts that have offered me nothing but an incredible surplus of agitation, disappointment and financial instability. Gainful livelihood abhors complication but my very existence is a motherf***ing complication. So f*** it.

Are we stardust as Joni Mitchell declares or are we just clusters of molecules slamming into each other as Schrodinger's Equation suggests. Either way, reality is merely perception. These pieces of art should appear as nothing more then images of tits and ass, but within these requested preameters I had to 'feel right' about doing them. A reason for their existence had to be achieved.


To you, Domino sits naked with Deadpool reflected in a mirror. To me, it's a theory about the fear and hate of true love.


To you, Elektra looks cool as a pin cushion for arrows and ninja stars, to me, she's about acceptance.


So is the Panda/Baby Doll piece.



Click to enlarge

Scarlet Witch is about the death of family and the happiness that blossoms from it.

Those are my conclusions. Maybe I'm stupid for using cheesecake to answer questions about psychiatry and quantum physics but it gets me through the f***ing day. If I'm wrong, then at least you can be amused by the titillation.

While your mileage may vary on the subject matter, I don't think it can be denied that the reenergized Pearson's work has never looked better. The artist indicated he may be looking to Kickstarter in the future to help finance his next comics work, but in the meantime fans can contact Mike Alexandropoulous at MoreGreatArt.com to purchase artwork from Pearson's publishing jobs, including Deadpool, X-Men, Robin and more, or to commission an original piece. As you can see in this process graphic below, you know he's going to put a hell of a lot of thought and work into it.

Click to enlarge

 

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Parting Shot: First Look At 'Uncanny Avengers' #3 Cover By John Cassaday

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AAAAAAAAAHHHHHH is the word that comes to mind when you gaze into the face of the Red Skull in this John Cassaday cover for Marvel's Uncanny Avengers #3. The series brings together members of both the X-Men and the Avengers, and is written by Rick Remender with artwork by Cassaday and Laura Martin. Issue #3 goes on sale in December in comics shops and digitally from comiXology. Check out the high-res version below.
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Super Cool Cyberpunk Cop Comic 'Old City Blues' Now Available For Free Online

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Most ComicsAlliance readers familiar with the work of Giannis Milonogiannis have probably read his stuff in Prophet, the Brandon Graham-written sci-fi saga from Image Comics that spotlights the work of several great artists who practice a distinctly European style of comic bookery. What you may not know is that before Milonogiannis impressed you with his frequently awe-inspiring Prophet visuals, he authored one of the coolest new cyberpunk comics to come out in a long time. Published by Archaia, Old City Blues is a straight up sci-fi murder mystery set in a world inspired by the work of Ridley Scott and Katsuhiro Otomo. With Milogiannis hard at work on the next volume, he's released the first run of Old City Blues as well as the gorgeous and "silent" short story "Intermission" for free online.

Subtitled "The Hayashi File," the first volume of Old City Blues follows Detective Solano as he attempts to solve the murder of an eccentric robotics CEO in New Athens, a cyberpunky version of the Greek capital. The plot offers plenty of conspiracy twists and thrilling action to keep you blazing through the 90-page Old City Blues in one sitting, but the real draw for me is Milonogiannis' excellent artwork. Like Blade Runner and Akira before it, Old City Blues creates a truly immersive world that feels definitely familiar to fans of those works, but with a gritty, youthful flare that's all Milonogiannis' own. There isn't a throwaway page, panel or even line in this work; everything serves the tone, pacing and style that's made this kind of story so seductive to readers like CA's David Brothers, who wrote back in January:

Old City Blues is the sort of science fiction that's right in my lane. It isn't concerned with proving its bonafides by overdosing on obscure world-building facts or explaining the science of whatever technology is central to the story. Milonogiannis just gets down to the business of telling a story about cops in the near future. He expects you to trust him and follow along, and you won't be disappointed by the experience.


That's me and Brothers throwing our support for this thing -- but don't take our word for it, read Milonogiannis' "silent" story, Old City Blues: Intermission 1, which he's made available for free using the embedded reader below. This will completely suck you in, at which point you can graduate to the graphic novel-length Old City Blues: The Hayashi File, which is also a free online read. The hardcover edition from Archaia can be bought or ordered at finer comics shops and bookstores, and comes with a bonus short story not available anywhere else, as well as a comic about the making of the comic.


And since we're reading comics on the computer anyway, hit play on this Daft Punk track from TRON: Legacy, which syncs up pretty well with the pacing of this Old City Blues short (yes, I have several playlists designed for different comic book genres you have no right to judge me).

 

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Click Here For A Big 'Avengers Vs. X-Men' #11 SPOILER (Or Don't)

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So yeah, Cyclops kills Professor X.

"When we first crafted Avengers VS. X-Men, we didn't set out to kill any characters but as the story progressed it became obvious that this had to be the last stand of Charles Xavier", said Axel Alonso, Editor in Chief, Marvel Entertainment. "He's one of my favorite characters and while like all fans I'm sad to see him perish, both Brian [Bendis] and Olivier [Coipel] deliver a powerful, dramatic conclusion to his story. Rest assured his death will reverberate across the Marvel Universe, leading into major launches like Uncanny Avengers and All-New X-Men this fall."

Don't worry, everybody! Andrew Wheeler will be back this week with the latest installment of ComicsAlliance Vs. Avengers Vs. X-Men to put all of this in the most critically sound, scholarly perspective you've come to expect.

We're sure there are probably more than just these two pages in Avengers Vs. X-Men #11, so you can go buy the issue now in comics shops everywhere and digitally via comiXology.

 

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Tony Harris & B. Clay Moore's 'Whistling Skull' Resurfaces As 'JSA: The Liberty Files' Miniseries

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DC Comics has announced JSA: The Liberty Files - The Whistling Skull, a new six-issue miniseries created by Tony Harris (Starman, Ex Machina) and B. Clay Moore (Hawaiian Dick, '76) that's set in Europe during the days of World War II. The previous Liberty Files projects, last published in 2003, focused on the "Unholy Three": the Bat (Batman), the Owl (Doctor Mid-Nite) and the Clock (Hourman), but it would seem that the Whispering Skull will spotlight new leading characters, as it was originally envisioned as a creator-owned WildStorm project that has since been retrofitted to be part of DC's Liberty Files franchise.

Originally published as two-issue miniseries between 2000 and 2003, JSA: The Liberty File and JSA: The Unholy Three -- known collectively and published in book form as JSA: The Liberty Files -- may very well be the best work of Tony Harris' career. Set in an alternate timeline distinct from DC Comics canon, The Liberty Files depicted characters from the Golden Age of superhero comics as covert agents working for various governments and other interests during World War II. Beyond the three principals mentioned above, Liberty Files featured new visions of Superman, the Martian Manhunter, The Flash, Black Canary, the Joker and many, many more. Co-written by Dan Jolley and inked by Ray Snyder, the stories were equal parts Indiana Jones, Casablanca and The Dirty Dozen, giving Harris even more latitude than his perennial art deco hit Starman to indulge his fondness and skills with retro aesthetics. If you haven't read it, you absolutely must.


Harris and Moore's The Further Adventures of the Whistling Skull was first announced all the way back in April of 2010, when it was meant to be a WildStorm miniseries set in 1940s Europe but unconnected to any other works. Harris discussed the project in an interview with CBR's Jeffrey Renaud, who described Skull as "A pulp noir story set in wartime London in the 1940s... the series features the titular Whistling Skull and his sidekick, Brickfist cleaning up the filth and scum of the world's seedy underbelly while seeking answers about their own pasts and what it means to not only be a super man but a super friend."

DC shuttered the WildStorm imprint later that year. This past March, Harris indicated that the project would be published as a creator-owned series at DC proper, and that he'd already begun penciling issue #6 of what he intended to be a 40-issue work created in the Hellboy series-of-miniseries format. Although DC's official press release doesn't make it explicit, the project would appear to have since morphed into a Liberty Files release, making it Harris' return to the beloved brand for the first time in nearly 10 years.

"This is a long haul, sweet baby that's finally coming together," continued Harris. "Clay and I have been developing THE WHISTLING SKULL for a few years now. Taking every precaution and the utmost care with every word and every line of ink to make sure we bring you something new, fresh and exciting. I could go on and on dropping catch phrases and bore you to death with 'personal' 'important' 'kickass' 'bloobidy-blah-blab-blab.' Not gonna happen here.

"What I will say is that a host of friends, contemporaries and scores of fans have shepherded this project carefully and steadily towards the waiting hands of countless devotees of mine and Clay's creative efforts. It's something I will NEVER forget as we approach the release of JSA: LIBERTY FILES - THE WHISTLING SKULL. And DC Comics' willingness to marry and 'seat' SKULL firmly in the JSA: LIBERTY FILES universe that I was a part of creating in years past, in effect resurrecting that franchise and allowing us to breathe NEW life into it, is a testament to DC Comics' dedication to producing exciting, new properties that have the potential to go on for many years to come. I feel like I did when James Robinson and I were preparing to release STARMAN into the world. I can barely sit still."

Here's the cover to JSA: The Liberty Files - The Whistling Skull #1, which as you can see does indeed feature the DC characters Hourman, Wildcat and Doctor Mid-Nite. The book debuts in December.

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Best Art Ever (This Week) - 09.14.12

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome.WANT TO CONTRIBUTE?

We're very much interested to see what you've dug up and think should be featured here in Best Art Ever (This Week). Please submit any great art links to andykhouri-at-comicsalliance.com. Artists, feel free to send in your own work or to request that your work be removed.

Please visit these artist's websites to see more of their work, buy their products, or commission an original piece.

Special thanks to Eraklis for sending in so many great links this week.


Wallace & Gromit/Doctor Who mashup by Roger Langridge from the collection of Jason Borelli


Robin by Ryan Sook


American Century by Glen Orbik


Art by Adam S. Doyle


JLA vs. the Hulk by Shane Glines from the collection of Nick Warmack


"Witch" by matayosi


Cerebus by Dave Sim


Gojira by De'Von Stubblefield


The Incal's Techno Pope by Jordan Hunter


Zatanna by Andre Szymanowicz


"We'll call her 'Autumn'" by Pascal Campion


"Death Star" by Steven Toang


Anne Hathaway's Selina Kyle by Brian Stelfreeze


The Electric Mayhem by Douglas Holgate


Catwoman by Otto Schmidt


Art by Matthew Woodson


"Some Anatomy" by Scott Cohn


Art by Phil Noto


Spider-Man and Black Cat by Sara Pichelli


Frankenstein's Monster and Steve Niles' dog Sonny by Scott Morse


Art by Jorge Molina


Scorpion/Drive by Dan Matthews


Superman by Dave Bardin


Art by Karol Bak


"Warlord of Mars" by Thomas Boatwright


Black Cat by Amanda Conner


Havok by Chris Samnee


Art by Adrian Tomine


Wolverine by Jason Latour


Spider-Man and Gwen Stacy by Mike Maihack


Zatanna by Bengal


Art by Moebius


Starboy by Andrew Robinson


Parks and Recreation by Jennyffer Maria


Death by Terry Moore


My Neighbor Totoro by Victor Vercesi


Old City Blues by Giannis Milonogiannis


The Shadow by Alex Toth


"Nuked" by Frank Stockton


Superman vs. Batman by Jim Lee and Scott Williams

 

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Someone Or Something Is 'Superior' In January [Marvel NOW]

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Things get a little weird with this latest of Marvel Comics' one-word teasers for new or relaunched series as part of the publishers incoming Marvel NOW initiative. Notably, this one doesn't feature the names of any members of the creative team, which has prompted several different but equally plausible rumors as to the teaser's meaning. Over at CBR, Kiel Phegley makes an argument for the resurfacing of Marvelman/Miracleman, whose legal status is one step closer to being sorted out. At Multiversity, Matthew Meylikhov says an unnamed source indicated "Superior" refers to some kind of Spider-Man project. At Bleeding Cool, Rich Johnston wondered if Mark Millar and Leinil Francis Yu's creator-owned Superior might make the move to the Marvel Universe.

ComicsAlliance's considered opinion? Batman.
What is Marvel teasing with SUPERIOR?
Miracleman/Marvelman140 (17.5%)
Mark Millar & Leinil Yu's 'Superior'96 (12.0%)
Some Spider-Man thing119 (14.9%)
Some Doctor Doom thing57 (7.1%)
Some X-Men thing94 (11.8%)
Some Guardians of the Galaxy thing33 (4.1%)
Some D-Man thing58 (7.3%)
Batman203 (25.4%)

 

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'Womanthology: Space' #1 Transmits New Ming Doyle, Stephanie Hans, Jordie Bellaire And More [Preview]

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On sale this week from IDW Publishing is the first issue of Womanthology: Space, a new anthology title spotlighting the work of female writers, artists, letterers, colorists and editors. A five-issue spinoff of the highly successful Kickstarter project, Womanthology: Heroic, the Space book focuses on science-fiction themes and features new work by Ming Doyle, Stephanie Hans, Jordie Bellaire and Jessica Hickman, among others. Take a first look after the cut.

Womanthology creator Renae de Liz discussed Space back in March, when the spinoff was first announced:

Womanthology: Heroic was such a big, wonderful experience, and not in my wildest dreams could I have hoped that it would go on to further adventures! I hope that Womanthology: Space is just the start of a long line of amazing books that further open doors for women in comics everywhere. I hope this will be a continued outlet to have their work showcased and appreciated, and help many take that next big step towards a career in comics. Again there will be all ages and experience levels accepted. This has always been so important to me, as I know first hand how even one show of support can offer so much confidence and motivation in your work. This not only helps aspiring creators gain valuable experiences and a platform to help further careers, but it also allows established professionals to reach out and lend their comics knowledge and know how. I am so glad that the positivity and fun of Womanthology is going further, this time into Space!

Crucially, contributors to Space will be compensated for their work, while Heroic's more than $100,000 in Kickstarter funds and sales profits went exclusively towards production costs and charitable donations.

The preview material below includes excerpts from "Waiting for Mr. Roboto" by Bonnie Burton and Jessica Hickman, which depicts the life of a bored space-waitress; "Dead Again" by Sandy King Carptenter with Tanja Wooten, which is a kind of ghost story in space; and "Scaling Heaven" by Stephanie Hans and Alison Ross, a speculative piece about a race to put the first woman on the moon. Not included here but available in the issue is an exceptionally cute story by Ming Doyle and Jordie Bellaire called "The Adventures of Princess Plutonia," which puts a fun spin on the John Carter/Adam Strange trope, as well as the first installment of "Space Girls," a recurring humor strip by Stacie Ponder that imagines an all-woman crew of Star Trekkian-style spaceship that's actually my favorite bit of this ambitious new release. All stories (except Ponder's strip) are lettered by Rachel Deering.





Womanthology: Space #1 goes on sale Wednesday in finer comics stores and digitally from comiXology.

 

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Parting Shot: David Lloyd Draws 'V' For 'Occupy Comics' #2 Cover

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It's difficult to imagine a more validating image for members of the Occupy Wall Street movement than this piece by V For Vendetta co-creator David Lloyd, who's drawn his and Alan Moore's anarchist antihero -- whose rebellious visage has been adopted by the protesters -- squaring off against the mascot of economic aggressiveness, the "Charging Bull" statue by Arturo Di Modica that resides in Bowling Green Park in New York City. Fittingly, the illustration is the cover for issue #2 of the Occupy Comics anthology, the stated mission of which is to create change by creating art. Here we see art versus art, and on the one-year anniversary of the protests that sought to address economic issues in the wake of the world economic crisis. Speaking with Wired last year, Lloyd extended his support to the Occupy Wall Street cause. "I was massively impressed by the great camaraderie and strength of will showed in New York last October when I went to see what they were doing, and I hope that they can somehow survive all the blows they've suffered since then... They've got a hard job to do and it's not going to get any easier."

Originating as a Kickstarter project which raised nearly $30,000, Occupy Comics is is intended to be "a time capsule of the passions and emotions driving the movement" and "tell the stories of the people who are out there putting themselves at risk for an idea." The new issue features original work by Mike Allred (Madman), activist Bill Ayers (The Weather Underground), Pulitzer-nominated political cartoonist Matt Bors, Shannon Wheeler (Too Much Coffee Man), Si Spurrier (2000 AD), Smudge (2000 AD), Riley Rossmo (Wild Children), Patrick Meaney (director, Warren Ellis: Captured Ghosts), Matthew Rosenberg & Patrick Kindlon (The Urn), Ryan Alexander-Tanner (To Teach: The Journey, in Comics), and artist Molly Crabapple.

You can buy it from Black Mask Studio, who will donate profits to "various actions of the global Occupy movement."


In a press release, Occupy Comics organizer Matt Pizzolo addressed the subject that you're all thinking about right now:
"...it's funny that there's been such a strong reaction to the Bull's balls on the cover since they're strikingly prominent on the actual statue... in fact, it's common for Wall Street traders to rub the Bull's balls for luck every morning--and doesn't that pretty much say it all?"

 

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Marvel's 'Amazing Spider-Man' To End After 700 Issues, 'Wolverine' And 'Captain America' Team-Up Titles Also Gone

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Yesterday's solicitations for new Marvel periodicals shipping in December confirmed that Amazing Spider-Man, Wolverine, and the team-up title Captain America and... (formerly just Captain America) will all come to a close with that month's issues. These very long-running series will join the ranks of other Marvel titles that have been concluded and set to relaunch or return in a different form in October as part of the publisher's Marvel NOW initiative, including The Mighty Thor, Incredible Hulk, Invincible Iron Man, Uncanny X-Men and New Mutants.
The Amazing Spider-Man news is a little surprising. Unlike most superhero comics still in publication, the title has only been renumbered from #1 once, back in the 1990s, and resumed its original numbering with 2003's issue #500. There's little doubt that Marvel will shortly announce a new home for Spider-Man himself, but the question is by whom will it be created? The Marvel NOW relaunches were precipitated by many of the publisher's most popular writers winding down their long-running arcs at around the same time, allowing for new creators to work on various characters for the first time in many years. Does that apply to Spider-Man and writer Dan Slott, who's been the primary creative force behind the Amazing title for the last several years, and who to the best of my knowledge was not bringing the book to a climax? Slott has yet to be announced as working on anything in the Marvel NOW line, and he's keeping mum on Twitter.

What should the new Spider-Man title be called?




The conclusion of Wolverine is a little less interesting. The series has been renumbered at least three or four times since it launched in 1988, and a Marvel Comics without a Wolverine solo title is too contradictory a notion to contemplate.


Similarly, Captain America and Black Widow #640 will bring to an end the Captain America title that's been reconfigured numerous times since the 1960s, most recently as a Cap team-up book with characters including Bucky, Iron Man and Hawkeye. Whether or not the team-up concept survives Marvel NOW, we do know that Rick Remender and John Romita, Jr. will be working on a new Captain America title launching in November.

 

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